Benjamin Power, aka Blanck Mass, drops in this week with the third album by New York experimental noise act Black Dice.
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This week we’re FINALLY getting The Gaslight Anthem out of the way.
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We dive back into the covermount bag o’ doom this week and produce this “classic” from the March 2007 edition of Uncut magazine. Hope you like your North American indie on the beige side…
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We’re joined by American artist and academic Rebecca Yurivna as we talk about the Russian band Shortparis, as well as Russian protest music, the current Russo-Ukrainian war and more.
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Dave’s back and we tackle French metal titans Gojira. He’s bringing their third album “From Mars to Sirius” in for consideration. Let’s all bang our heads!
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What songs are overplayed? Why are they overplayed? What does that even mean? We go on a wee journey to find out the answers to these questions and more. With some assistance from our new co-co-host ChatGPT.
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We’ve taken a wee break this wee to catch up on a few bits and pieces, but we didn’t want to leave you hanging so we thought we’d drop this preview of ONE TYPE of bonus content we do. Enjoy!
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This week we explore the gloomy world of The Black Heart Procession.
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We jump on a Tron-esque lightcycle and take a trip into Perturbator’s bleak, dystopian, synthwave landscape this week, as we discuss his third album Dangerous Days.
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Albums that cost £1 are not very sound at all, apparently. Especially when you factor in Ed Sheeran…
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After diving into their history, this week we dive DEEP into the Queens of the Stone Age back catalogue, before Chris makes his case for why this album is the band’s unsung classic.
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Now that the dust has settled and we’re sorta vaguely familiar with the year 2023, our first regular episode sees coming out SWINGING as we look at the history of Queens of the Stone. This is part one of our two parter on Lullabies to Paralyse, but this week we’re giving the band’s biography a good once over. ENJOY!
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This week we’re very pleased to have Siobhan Wilson in for a wee chat. We talk about her career, musical influences, experiences in the music industry, record label, Patreon and much more.
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Happy new year folks! We conclude our Xmas special in truly maximalist fashion where we discuss the awfulness of folk metal, Baywatch, Weaver's grammar, nasty Japanese porn comics, Transformers and of course Sir David Attenborough. We also talk about our favourite albums of 2022.
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Silly season has begun and this year, like every other years, we’re doing what we do best - giving back to our fans by answering their questions and offering some SPICY hot takes as we get steadily more inebriated.
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Silly season has begun and this year, like every other years, we’re doing what we do best - giving back to our fans by answering their questions and offering some SPICY hot takes as we get steadily more inebriated.
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SO WHO’S ACTUALLY BETTER THEN? KISS OR MOTLEY CRUE? Well, we’ve scored the band on their relative merits, taken (a lot) of points off for being arseholes, and also revelled in all things Kiss and Crue to get to the “definitive” answer. You’re welcome. Happy birthday to us.
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Let’s go back way back to 2018 and answer a question Mark inadvertently posed when he joked Motley Crue are better than Kiss: who IS actually the best? It took us two episodes and absolutely no booze (seriously - none) to find out. It’s our 5th birthday. Let’s get sleazy.
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It’s covermount time again! We reach into our covermount bag of doom and pull out this Muse “curated” collection of tracks that adorned the cover of the 13th June 2007 edition of the NME.
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